Where Technique Becomes Art

Grade 7 — The Concert Repertoire Begins

Grade 7 sits at the threshold of the full concert repertoire. The pieces — Bach Sinfonias, early major Beethoven, Romantic character pieces, Scarlatti sonatas — are works that professional musicians perform. Arriving here technically is not enough: the examiner, and any audience, is listening for a point of view. What does this music mean? What are you trying to say with it? Interpretive commitment is the defining skill at this level. Have an opinion and play it.

About this plan

Estimated time: 20–30 weeks at 20–30 min/day

Books you'll need

Three-Part Sinfonias, BWV 787–801
J. S. Bach · Henle / Peters / ABRSM / any edition — free on IMSLP
Free on IMSLP. You need Sinfonias Nos. 9 (F minor) and 11 (G minor).
Piano Sonatas (Vol. 1)
L. van Beethoven · Henle / Peters / any edition — free on IMSLP
Free on IMSLP. Sonata Op. 10 No. 1 (C minor) is in the first volume of most collected editions.

Pieces in this plan

A 8-piece path to playing Where Technique Becomes Art. Register free to unlock it.

1
Capriccio in G minor, HWV 483
G. F. HandelKeyboard WorksGrade 7 — browse all →

Handel's capriccios are free-form pieces with contrasting sections — fast and brilliant alternating with slower, more reflective passages. An excellent bridge into the Sinfonia repertoire.

Register free to see guidance notes and recordings →
2
Sinfonia No. 9 in F minor, BWV 795
J. S. BachThree-Part SinfoniasGrade 7 — browse all →

Three completely independent voices running simultaneously throughout. This is the definitive polyphonic challenge at Grade 7 level — one of the most intense pieces in the keyboard repertoire.

Register free to see guidance notes and recordings →
3
Sinfonia No. 11 in G minor, BWV 797
J. S. BachThree-Part SinfoniasGrade 7 — browse all →

The second Sinfonia on this plan — a benchmark piece. The G minor has a flowing, chromatic character quite different from the F minor. If the F minor Sinfonia felt manageable, this one will push you further.

Register free to see guidance notes and recordings →

See the full plan — guidance notes, recordings, and progress tracking.

Free account. No credit card. Takes 30 seconds.

4
Sonata in A minor, K. 149
D. ScarlattiKeyboard SonatasGrade 7 — browse all →

A brilliantly idiomatic Scarlatti sonata with fast repeated notes and hand crossings — the hallmarks of his keyboard style at its most exciting.

Register free to see guidance notes and recordings →
5
Child Falling Asleep (Kinderscenen, Op. 15 No. 12)
R. SchumannScenes from Childhood, Op. 15Grade 7 — browse all →

Near the end of Schumann's Kinderscenen — quiet, inward, and deeply poetic. One of those small pieces that demands enormous musicality.

Register free to see guidance notes and recordings →
6
Étude in A minor, Op. 91 No. 18
M. Moszkowski20 Petits Études, Op. 91Grade 7 — browse all →

Moszkowski's études are technically brilliant and genuinely musical. This A minor étude demands fast, even passage work and physical stamina.

Register free to see guidance notes and recordings →
7
Intermezzo in A major, Op. 118 No. 2
J. BrahmsSix Piano Pieces, Op. 118Grade 7 — browse all →

One of the most beautiful piano pieces ever written. Warm, nostalgic, and deeply personal — Brahms wrote the late Op. 118 pieces in his sixties as a kind of intimate musical diary.

Register free to see guidance notes and recordings →
8
Sonata in C minor, Op. 10 No. 1 (1st movement)
L. van BeethovenPiano SonatasGrade 7 — browse all →

A major early Beethoven sonata — powerful, dramatic, and technically demanding. The C minor key signals his most serious emotional territory.

Register free to see guidance notes and recordings →

See all 8 pieces — free account, no credit card.

We use cookies for analytics and, when you opt in, personalised marketing. Strictly necessary cookies (login, session) are always active. Privacy policy